Picturing New York
List Price: 29.95
Sale Price: 25.46
Savings of 15%
DESCRIPTION
The New York paintings and pastels of Yvonne Jacquette, one of America’s most distinguished contemporary painters, and the New York photographs of her late husband Rudy Burckhardt, whose unconventional art has spawned a large and devoted following, are the subjects of this intriguing look at a slice of the New York art world from the 1930s to the present. Picturing New York: The Art of Yvonne Jacquette and Rudy Burckhardt explores this remarkable pair of artists whose work celebrates New York’s streets and skyline, capturing both the intimacy and the expansiveness of the city.
Yvonne Jacquette and Rudy Burckhardt were creative and personal partners for nearly forty years, from the time of their meeting in 1961 until Burckhardt’s death in 1999. Burckhardt, born in 1914 in Basel, Switzerland, came to New York in 1935, and Jacquette, a Pittsburgh native twenty years his junior, arrived in 1955. Although they traveled broadly for artistic subject matter, they were based in New York City, spending most of their careers in the West 20s, where Jacquette’s studio still is. They sometimes collaborated, usually on films, but mostly each pursued independent work in photography and painting. Despite this independence, their approaches to representing the city share visual and philosophical parallels.
The dazzling urban nocturne is Jacquette’s primary subject. For thirty years, she has made night paintings from aerial vantage points of such cities as Tokyo, San Francisco, Washington, Hong Kong, and Chicago—along with bird’s-eye views of Maine and Midwestern farmland—but her images of New York City are without question the strongest and most celebrated. These dramatic and glittering canvases are striking for their bold compositions, surface richness, and the powerful presence of their grand scale. Jacquette has described herself as a “portraitist of American cities,” and none has been more frequently or more affectionately depicted than New York—its splendid architecture, neon signage, bridges, streets, and waterways—and indirectly, the electricity that makes it all visible at night.
Burckhardt, whose photographs and films of New York have inspired a cult following, made images of the city’s architecture, streets, and inhabitants in a singular style—apolitical and seemingly uncomposed—that broke with tradition and influenced younger generations of photographers. From iconic views of New York’s skyscrapers, to close-up architectural details, to storefronts splashed with advertising signage, to New Yorkers walking their streets and riding their subways, the variety of Burckhardt’s subject matter conveys his never-ending fascination with the city’s scale and diversity. His images convey his own sense of wonder about New York and invite viewers to share in his pleasure of the city’s unexpected moments and unexplored places.
Coinciding with exhibitions on both artists at the Museum of the City of New York, Picturing New York: The Art of Yvonne Jacquette and Rudy Burckhardt offers a unique look at the work of this important creative couple side by side and the place they hold in the New York art world.
ENDORSEMENTS
Linda Nochlin, who teaches at the nyu Institute of Fine Arts, is an author and curator. Her most recent book is Courbet (2007) - “Both of these artists, New Yorkers to the core, bring the city to life with their visual acuity. Very different in style yet related in spirit, Jacquette and Burckhardt, in their different mediums, prove the point that there is a realist imagination. Their New York images vibrate with objective discovery and subjective idiosyncrasy at once: a major achievement.”
Luc Sante is the author of Low Life: Lures and Snares of Old New York (1991), Walker Evans (2001), and most recently, Kill All Your Darlings: Pieces, 1990–2005 (2007). He teaches at Bard College and is a frequent contributor to The New York Review of Books – “Yvonne Jacquette’s paintings and Rudy Burckhardt’s photographs stand in exhilarating contrast to one another: the sky and the ground, the macro and the micro, color and grisaille. Between them is the third element, which they almost seem to have invented: the city of New York, in all its dynamism and alertness and variousness and chaos.”
Red Grooms is a celebrated multi-media artist whose “sculpto-pictoramas,” happenings, and colorful installations like Ruckus Manhattan have made him one of the best known artists of the last half century – “Yvonne and Rudy created an impromptu arts salon in their lofts on 29th and 14th Streets from the 1960s through the 90s. Great hosts, they served good booze and healthy meals. After dinner, Rudy would pull down the movie screen and roll out the 16mm projector, entertaining all with his latest films. Yvonne’s paintings were on display in her studio, and on the clean white walls were paintings by de Kooning, Arp, and Alex Katz. The guest list was extensive and varied; for a long time Yvonne and Rudy made the connection between the worlds of poetry, dance, films, and painting in New York a gracious and homey experience.”
REVIEW
via New York Times 2008 (c) – ““When I arrived in New York in 1935,” the photographer Rudy Burckhardt recalled near the end of his life, “I was amazed at the difference in scale between the people and the buildings.” Over the course of his career he figured out a way to make the city’s architecture fit the human scale he favored. Faced with the same choice, Burckhardt’s wife of 40 years, the painter Yvonne Jacquette, opted to focus on the city’s skyscrapers.”
via Time Out New York (c) – “Pairing the seemingly disparate styles of husband-and-wife artists Yvonne Jacquette and Rudy Burckhardt might seem like a gimmicky attempt to cash in on the couple’s 35-year union. But the Museum of the City of New York’s current double feature is actually quite fitting, as the work of Burckhardt, a photographer, and Jacquette, a painter, reveal different but complementary views of the city. They also fit together as products of and players in the 1960s Chelsea art scene, where they traveled in a close-knit creative circle that included Willem de Kooning and Alex Katz, who immortalized the couple in his 1965 painting The Cocktail Party.”
PRODUCT DETAILS
Hardcover: 144 pages
ISBN-10: 1593730659
ISBN-13: 978-1593730659
Language: English
Dimensions: 11.1 x 10 x 0.7 inches
Weight: 2lbs
INTRODUCTION BY
Bill Berkson is a poet, critic, and professor of Liberal Arts at the San Francisco Art Institute. His latest books include Gloria (with etchings by Alex Katz); Our Friends Will Pass Among You Silently; a collection of criticism, The Sweet Singer of Modernism & Other Art Writings; What’s Your Idea of a Good Time?: Interviews & Letters 1977–1985, with Bernadette Mayer; and Sudden Address: Selected Lectures 1981–2006.
ABOUT THE AUTHOR
Andrea Henderson Fahnestock is Curator of Paintings and Sculpture at the Museum of the City of New York, where her exhibitions include Hirschfeld’s New York; The Day Our World Changed: Children’s Art of 9/11; Picturing New York: The Paintings of Peter Ruta; and Still New York: Watercolors by Frederick Brosen.
No shows booked at the moment.
Vincent Katz is an art critic, curator, and poet. He organized the first museum retrospective of the photographs, films, and paintings of Rudy Burckhardt in 1998 at the Institute of Modern Art in Valencia, Spain. In 2000, he co-curated with Lynn Gumpert Rudy Burckhardt and Friends: New York Artists of the 1950s and 60s for the Grey Art Gallery at New York University
No shows booked at the moment.
